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|3 10.51837/0827-000-048-024
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|a ara
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|b العراق
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|a عمران، عبد نور داود
|g Dawood, Abd Noor
|e مؤلف
|9 281109
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|a The Poem "Arak Asey Al-Damaa" in A Critical Reading
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|a قصيدة "آراك عصى الدمع" في قراءة نقدية
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|b الجامعة الإسلامية
|c 2018
|g حزيران
|m 1439
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|a 557 - 583
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|a بحوث ومقالات
|b Article
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|b Abu Firas took the woman in his poem as a mask addressed to him by his cousin Saif al-Dawah al-Hamdani, who did not redeem him. He helped him in this, as did the traditional Arabic poem that took the woman or the maid as an introduction to her. There is no woman in the poem except for a deliberate appearance behind him. We proved that the building of this poem in its external and internal rhythm, came coherent with the meaning connected to him conveying the poet tortured in captivity and flowed by the torrent of his turbulent feelings, it is clear that the poetic sea, which walked the poem chosen by a wonderful talent, carried the meaning, and we have provided the poet from the death of his father To his death, taking this historical talk Maayan to reach the back of the verses and hidden from us.
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|a الشعر العربي
|a القصائد والدواوين
|a نقد الشعر
|a أبو فراس الحمداني
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773 |
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|4 الدراسات الإسلامية
|6 Islamic Studies
|c 024
|e The Islamic University College Journal
|f Mağallaẗ al-kulliyyaẗ al-islāmiyyaẗ al-ğāmiʻaẗ
|l 048
|m ع48
|o 0827
|s مجلة الكلية الإسلامية الجامعة
|v 000
|x 1997-6208
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|u 0827-000-048-024.pdf
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|d y
|p y
|q n
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|a IslamicInfo
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|c 908554
|d 908554
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