Palm and Palmette Trees Ornaments on Applied Masterpieces
| المصدر: | المجلة الدولية للتراث والسياحة والضيافة |
|---|---|
| الناشر: | جامعة الفيوم - كلية السياحة والفنادق |
| المؤلف الرئيسي: | Zidan, Bousy M. (Author) |
| المجلد/العدد: | مج7, ع1 |
| محكمة: | نعم |
| الدولة: |
مصر |
| التاريخ الميلادي: |
2013
|
| الصفحات: | 85 - 108 |
| ISSN: |
2636-4115 |
| رقم MD: | 998029 |
| نوع المحتوى: | بحوث ومقالات |
| اللغة: | الإنجليزية |
| قواعد المعلومات: | HumanIndex |
| مواضيع: | |
| رابط المحتوى: |
الناشر لهذه المادة لم يسمح بإتاحتها. |
| LEADER | 02408nam a22002057a 4500 | ||
|---|---|---|---|
| 001 | 1740171 | ||
| 041 | |a eng | ||
| 044 | |b مصر | ||
| 100 | |9 444297 |a Zidan, Bousy M. |e Author | ||
| 245 | |a Palm and Palmette Trees Ornaments on Applied Masterpieces | ||
| 260 | |b جامعة الفيوم - كلية السياحة والفنادق |c 2013 | ||
| 300 | |a 85 - 108 | ||
| 336 | |a بحوث ومقالات |b Article | ||
| 520 | |b Decorative elements are the mainstay of any art. Islamic art had several properties, including the remoteness from imitating nature and emulating God creation for being wrongdoing. Therefore; floral, geometrical, and graphical motifs became the main support for Islamic decoration. However, human and animal illustrations were avoided. Whether Islamic Art began from scratch or followed prior arts in countries they – the Muslims-conquered; where there was prospering arts such as Byzantine and Sassanian ones? This matter will be replied through the research. This research deals with the history of floral motifs in Islamic art; and focuses on palm and palmette trees and their fronds. This in terms of their history and origin -since the prehistoric and till the Islamic epoch- their significance, and then identify models of masterpieces which were ornamented with palm and palmette trees through describing a Collection of the museum of Islamic Art in Cairo and the Metropolitan museum of art in New York. This research aims to: 1. Study the history of floral motifs in Islamic Art and their development. 2. Emphasize that Islamic art began depending on prior arts, then evolved and became independent and has distinctive features. 3. Manifesting the extreme mastery and perfection achieved by Muslim artisan. 4. Illuminate splendor possessions within the Museum of Islamic Art in Cairo and the Metropolitan museum of art in New York. | ||
| 653 | |a الفن الاسلامي |a فن الزخارفة |a الرسوم الهندسية | ||
| 773 | |4 العلوم الإنسانية ، متعددة التخصصات |6 Humanities, Multidisciplinary |c 019 |e International Journal of Heritage, Tourism, and Hospitality |f Al-Mağallah Al-Dawliyyaẗ yaḥah wal Ḍiyafah Lil Turāṯ wal Si |l 001 |m مج7, ع1 |o 1941 |s المجلة الدولية للتراث والسياحة والضيافة |v 007 |x 2636-4115 | ||
| 856 | |u 1941-007-001-019.pdf | ||
| 930 | |d n |p y | ||
| 995 | |a HumanIndex | ||
| 999 | |c 998029 |d 998029 | ||
عناصر مشابهة
-
Floral Ornaments on the Entrances of Ottoman Buildings
بواسطة: Zidan, Bousy Mohammed منشور: (2008) -
Incantation and equipment for facilitating childbirth in Islamic epoch
بواسطة: Zidan, Bousy M. منشور: (2013) -
المضامين التربوية لمشاهد الوعظ في التصوير الفارسي
بواسطة: غولي، أنوار علي علوان القره منشور: (2021) -
The Architectural Complex of Amed Pasha Al Menshawy in Tanta 1322 - 1328 H / 1904 - 1909 A.D
بواسطة: Zidan, Bousy M. منشور: (2011) -
The Angelic Spheres in Coptic Art: Different Ornamentations and Interpretations
بواسطة: Abd El-Hamid, Manal Mahmoud منشور: (2015)
